I realize that last week’s article was a bit of a bring-down. For this reason, I will begin with a story that I hope will make us all feel a little better. William Tell All presents “The Ballad of April-Marie, Part One.”
This weekend, my friend and I reached a new low. I forget who suggested it, but we both knew that it was inevitable. I clothed myself, wiped the burrito stains off the corners of my mouth, and trudged down the lonely steps of my entryway. I knocked on her door. “You ready?” I asked timidly. An ambivalent “I guess” was her response. Our feet dragged as we made our way into the square, each step bringing us closer to our horrifying Valentines Day weekend fate. Upon our arrival at the movie theatre, I asked myself if it was worth it. After all, I deserve to retain some shred of dignity! Even though everyone else I knew was with a significant other, or at a party attempting to find one, it seemed to me that my situation could not really warrant my disgraceful Saturday night pity party. Oh, well. We stepped up to the window; I slapped down my credit card and proclaimed to the world, “One for The Vow.”
I thought to myself, “Why would I pay to see this? I’ve already seen The Last Song. And Dear John. Miley Cyrus is so talented.” We stepped into the dark theatre, and, as expected, a horde of couples surrounded us. Couples everywhere. Disgusting ones, cute ones, tall ones, short ones, fat ones, skinny ones, oh-my-god-she’s-out-of-her-league ones, crap-he’s-texting-during-a-date-I’m-so-embarrassed-for-them ones. We sat down and lowered our heads in shame. There was nowhere you could rest your eyes without being assaulted by images of puppy love. Guess what people, you’re going to break up and then your life is just going to be awful and then you’re going to die. Get your sickening happiness out of this movie theatre so I can enjoy Rachel McAdams’s memory loss in peace.
Clichéd transitional phrase alert. All of a sudden, the door to the dark room swung open, and a lone figure entered the room, popcorn and soda in hand. It wasn’t just any popcorn; it was extra large, the kind that ought to bear a warning label featuring Wilfred Brimley’s iconic mispronunciation. Nothing scares people more than da-beetus. Or is it dabeatis? In either case, it makes a great rap song. Youtube it – trust me. Anyway, this spectral human form sat down in the row next to us. It placed its drink into the holder, and cradled the popcorn with a tenderness I had never before encountered. I soon realized the newcomer was a well-dressed woman who reminded me of a younger Megan Mullally. “Her boyfriend must be running late,” I thought. “He probably just had to run to the bathroom.” Minute after awkward minute crept by, and it became apparent to me that she was, in fact, attending The Vow alone on a Saturday night. It can’t get much worse than that. I was amazed at her unashamed posture, her silent dignity. She shifted her adorable thick-rimmed glasses that sat atop her shapely nose, and, for a moment, I slipped into reverie.
Her name is April. April-Marie Willingham. She always insisted on the hyphenated spelling, because it sounds more romantic. Born and raised in a small Midwestern town, she defied all odds and moved to New York City to become an actress. Her family told her she couldn’t do it, but April-Marie was determined to follow her dreams. Mr. and Mrs. Willingham didn’t approve in the slightest; they simply could not understand what had gotten into their sweet little girl. April-Marie knew that her parents would eventually understand, however, and teary-eyed, she stepped onto the Port Authority-bound Greyhound. Without financial support from her parents, she could only afford a cramped apartment in Queens. Still, she found happiness in her tiny room, because it was her own. She decorated it with pictures of her beloved family and friends. She cared for them deeply, but for the time being, she had to leave them and listen to her heart. Soon, she landed a few small gigs, and she slowly made a name for herself in the off-Broadway scene, landing leading roles in The Last Five Years and the revival of Nine.
While walking down Fifth Avenue on a bright Saturday morning, coffee in hand, she collided with another absent-minded pedestrian. She was now wearing her caffeinated beverage all over her Goodwill blouse. A soothing voice serenaded her ears, “I’m so sorry miss! Let me help you.” April-Marie looked up, and there was the most handsome man she had ever seen. “My name is Jim. I’m not usually this oblivious!” The breeze gently caressed his brown hair, and the soft sunlight accentuated his blue eyes and pristine teeth. The rest is history. They married and moved to Long Island, where they settled in a humble home with a picket fence and a cute backyard. April-Marie continued to garner critical acclaim, and Jim became a teacher in a local middle school. Love, which seemed for so long to be only a youthful dream, suddenly became wonderfully real.
However, all good things must come to an end. Jim did not return home from school on the evening of August 17th, and April-Marie called the local police, knowing that such behavior was entirely uncharacteristic. They told her to wait until the next day. Still nothing. In a week’s time, no one had heard from Jim. A month passed, then a year. The case was closed. Unable to endure the pain of living in their former home, April-Marie moved to Boston to live with a cousin.
It was as if I had found a long-lost sister; her story filled me with a newfound strength to push through the horrible movie I was about to see, as well as the pain of a lonely Valentine’s Day. We can all learn from April-Marie’s story. She can see a movie alone without fear, without shame, without self-consciousness. She has been through Hell, but she still endures, thrives even. If she can find joy in Channing Tatum’s lackluster acting, so can we. April-Marie is love; April-Marie is hope.
Will Simmons ’14 (wsimmons@college) hopes he has been able to reach out to all of those singles out there who braved this Valentine’s Day.



